Context

For my senior project in Art & Design, I explored the idea of creating inviting spaces for students. The project was divided into three phases, at which the end of the first two phases the instructional team gave us a new challenge or “obstruction” to change the direction of the project.

Phase I: Research and Inspiration

In the past couple weeks, I’ve looked at various examples of school and classroom designs. One thing that stuck out to me was the emphasis on non-learning spaces. Some of the readings mentioned extending the learning environment to outside the classroom. These included hallways, common areas, and outdoor spaces. These examples I saw made me think about our own spaces on campus: how could we create the best learning spaces outside of the formal classroom? For the next three weeks, I would like to utilize the readings and examples I’ve collected to reimagine spaces we have on UM campus

I would like to start with the Ann and Bob Aikens Commons studio on the ground floor of the Arts & Architecture Building. My first reaction when I saw it last year was that it was cold and plain. I plan on reimagining the space with more greens and earthy colors to create a Reggio Emilia inspired “atelier” for college students. I have already collected photos of the commons. I will be using Photoshop to draw new furnishings over the photos. I will create 5-8 illustrations of different areas of the room. 

For this phase, I created two mood boards: one for ateliers in kindergarten/pre-k spaces and one for college student/work spaces with nature elements. Additionally, I had also begun creating new floor plans for the Aikens Commons studio and making rough sketches for potential furniture.

At the end of the phase, the instructional team challenged me to move away from technical components of interior design and to focus on emotions and varying textures.

Phase II: Introduction of Natural Textures

For this project, I am reimagining spaces in the Arts & Architecture Building using textures found in nature. I will create a catalogue of furniture and textiles using these textures and examples of how they’d be utilized in the Arts & Architecture building. 

This project is important to me because how “welcoming” a space is can really affect one’s sense of belonging in an environment. If the building ever gets a renovation or new spaces, I hope these examples can help designers see how they can create various environments or “habitats” so all sorts of people can find the spot they “belong” to. I want to explore more textures and experiment how spaces can be changed using textures.

STUDENT SPACES - REVISUALIZED

I created a series of transparent tokens via Illustrator and programmed a visualizer in Processing that would plug in whatever texture provided into the token.

In this phase, I collected photographs of textures around Ann Arbor (specifically in the Nichols Arboretum) to inject into these student spaces.

and Photoshopped them into student spaces.

original space

revisualized spaces

At the end of this phase, my challenge was to identify the purpose of my project. One of my biggest struggles as an artist/designer is my ability to tie my interests (education change) to my artwork. So, how can educators and school administrative use this project to bring change to their classroom?

Phase III: Design for Social Change

Through my coursework in a different course (EDUC 380 Educational Psychology), I learned of the impact of school design has on student learning and that many schools do not have the funding for redesigning student spaces. Therefore, the next best step is to provide educators and administrators with a free resource to help revisualize their classrooms digitally to understand how they can design their classrooms to foster students’ sense of belonging.

Conclusion and Key Takeaways

This project truly allowed me to see how my skills in Art & Design can bring change in education, which is something I struggled with throughout my college years especially as I began to put more time and energy into my Minor in Education Policy and part time jobs in teaching. Additionally, it also challenged me to think outside of my comfort zone and to create bold designs, even those that may not seem realistic.